Cal88 said:
What a great great song! I had forgotten about this. Now playing it over and over here at home.Northside91 said:
I had many of my Smiths EP/LP covers signed by Johnny Marr, including "This Charming Man" at his Modest Mouse after party at 330 Rich nearly 20 years ago. I wasn't that fond of that particular Smiths song, but bought the EP because the cover with Jean Marais from Cocteau's movie Orpheus was great. The venue was pretty empty so we got to chat with Marr over a few beers, the guy is a huge soccer fan and supposedly a very good player.blungld said:What a great great song! I had forgotten about this. Now playing it over and over here at home.Northside91 said:
I remember playing this at my fraternity in '83 and getting mocked "What is this crap?" I used to go all the way out to Rough Trade records in SF where the imports would come in so that I could be literally the first person in US to get a lot of the new wave/post-punk/ska/whatever imports. They got used to me showing up and I would try and get there when the shipments came in so I could be there when they opened the latest Smiths 12 inches so I could buy the first copy of each new single that seemed to be coming out every month in their hey day. I still have every piece of vinyl as import The Smiths ever put out. Even both versions of the What Difference Does It Make.
Anyway, at the time it was all Born in the USA and Michael Jackson at the fraternities, and then one party they let me "play my stuff" and the guys hated it...but the sorority girls loved it and started dancing to it. I think we were the first frat to start playing "new wave" at our parties. Of course it was pretty milquetoast stuff: Devo, Go Gos, English Beat...but I would slip in the occasional Depeche Mode, New Order, Smiths, Clash, and even Stiff Little Fingers. LIVE 105 Modern Rock was just taking off then.
It was QKAK ("the quake") at the 98.9 FM dial before it was Live 105, with Rob Francis, Big Rick Stewart et al. KQAK shut down in 1985 but its format and some of its crew were picked up by KITS.Quote:
LIVE 105 Modern Rock was just taking off then.
Sadly, it wasn't my setup. The house had a system so I would slip my tape (yes cassette tape that I had to record from vinyl) in at the end of the night.B.A. Bearacus said:
Blungld, buddy, thank you for sharing this and for the specificity, which I relished. Lots of relating on the music level. I have to limit my Smiths shoutouts on here to once a year to not be too alienating.
Curious: what amp and speaker setup did you have in the frat house when you were laying down those tracks? I'm 100% confident you know this, down to the woofer size. Was your sound system, as they say, bumping?
"I'M SO SORRY!!!" (scrubs)blungld said:Sadly, it wasn't my setup. The house had a system so I would slip my tape (yes cassette tape that I had to record from vinyl) in at the end of the night.B.A. Bearacus said:
Blungld, buddy, thank you for sharing this and for the specificity, which I relished. Lots of relating on the music level. I have to limit my Smiths shoutouts on here to once a year to not be too alienating.
Curious: what amp and speaker setup did you have in the frat house when you were laying down those tracks? I'm 100% confident you know this, down to the woofer size. Was your sound system, as they say, bumping?
That said, I did have a Rickenbacker 2002 bass guitar and a pretty heavy Peavy amp that I would jam along to The Jam, The Clash, The Smiths, and Talking Heads. Being young and self-centered (still am?) I didn't even think just how loud and obnoxious that was. I feel bad in retrospect for anyone trying to study, but that said there really was music blasting out of almost every room. I loved it when the guys who were fans of The Who and Rolling Stones started catching onto Unforgettable Fire, London Calling, Elvis Costello, and REM. Finally, I could walk into other guys rooms and we would scream along to entire albums.
One day I met a girl from a sorority literally two blocks away. She asked who the annoying guy who always played the bass on our street was. I shrugged I don't know, and then privately gulped and thought TWO BLOCKS!!!
Same thing happened another time when a sorority girl asked who the crazy dude who was always singing in our house was. I used to take showers in the afternoon in our frat when it was typically empty and it had great tile acoustics and I would belt out Smiths songs not realizing the window faced the sorority next door and was basically blasting them with my acapella numbers.She said they all groaned each afternoon and it was a thing over there.Oh man, I am embarrassed now just remembering.
AWESOME! Great knowledge!Cal88 said:I had many of my Smiths EP/LP covers signed by Johnny Marr, including "This Charming Man" at his Modest Mouse after party at 330 Rich nearly 20 years ago. I wasn't that fond of that particular Smiths song, but bought the EP because the cover with Jean Marais from Cocteau's movie Orpheus was great. The venue was pretty empty so we got to chat with Marr over a few beers, the guy is a huge soccer fan and supposedly a very good player.blungld said:What a great great song! I had forgotten about this. Now playing it over and over here at home.Northside91 said:
I remember playing this at my fraternity in '83 and getting mocked "What is this crap?" I used to go all the way out to Rough Trade records in SF where the imports would come in so that I could be literally the first person in US to get a lot of the new wave/post-punk/ska/whatever imports. They got used to me showing up and I would try and get there when the shipments came in so I could be there when they opened the latest Smiths 12 inches so I could buy the first copy of each new single that seemed to be coming out every month in their hey day. I still have every piece of vinyl as import The Smiths ever put out. Even both versions of the What Difference Does It Make.
Anyway, at the time it was all Born in the USA and Michael Jackson at the fraternities, and then one party they let me "play my stuff" and the guys hated it...but the sorority girls loved it and started dancing to it. I think we were the first frat to start playing "new wave" at our parties. Of course it was pretty milquetoast stuff: Devo, Go Gos, English Beat...but I would slip in the occasional Depeche Mode, New Order, Smiths, Clash, and even Stiff Little Fingers. LIVE 105 Modern Rock was just taking off then.It was QKAK ("the quake") at the 98.9 FM dial before it was Live 105, with Rob Francis, Big Rick Stewart et al. KQAK shut down in 1985 but its format and some of its crew were picked up by KITS.Quote:
LIVE 105 Modern Rock was just taking off then.
The Bay Area had a great radio coverage with KQAK/KITS on the commercial end, KJAZ (92.7 IIRC), and on the left side of the dial a bunch of solid college stations between KUSF, KALX, KZSU and the Foothill College station. KUSF was clearly the best in the 80s, KALX pulled even in the 90s and 00s, then USF literally sold its station out in 2011.